Journey - Don't Stop Believing Remix (Hip Hop / Trap)Wassup!! This is my remix channel where i remix other things and turn them into trap beats! Ill try to p Song: Don;t Stop Believing Artist: JourneyComposer: Eli Webberhttp://www.noteflight.com/scores/view/7b95e0a74bf6451efdbb15637cf9acdd31afa3da By James Hunt. Published Sep 8, 2020. The Sopranos' final scene sees Tony put Journey's "Don't Stop Believin'" on in the diner before the infamous cut to black. Here's what it means. The final scene of The Sopranos sees Tony's story suddenly cut to black, but not before Journey's "Don't Stop Believin'" plays out, a song choice with various Become A Better Singer In Only 30 Days, With Easy Video Lessons! Just a small town girl Livin' in a lonely world She took the midnight train goin' anywhere Just a city boy Born and raised in south Detroit He took the midnight train goin' anywhere A singer in a smoky room A smell of wine and cheap perfume For a smile they can share the night It Discover the captivating video 'Journey - Don't Stop Believin' (Official Audio)' and track its real-time view count with SocialCounts.org. Witness the extraordinary comparison and immerse yourself in the world of luxury yachts. Stay up-to-date on the popularity and engagement of this intriguing video. Join SocialCounts.org now and explore real-time YouTube video view analytics for your Don’t Stop Believing By: Journey This is a compilation of a few other people’s work. I’ve used cnayzenz’s capo and chord progression, and lorynelizabeth’s chorus progression, transcribed it all, and wrote it up here. I want to let you all know that all I did was write it down, they did all of the work! Capo 4th fret. QY4sY. Jonathan Cain told SongFacts, The song began with the chorus. My father had coached me. I was in Hollywood, struggling with my career, kind of lost. I was asking him, ‘Should I come back to Chicago and just give up on this dream?’ And he said, ‘No, son. Stay the course. We have a vision. It’s gonna happen. Don’t stop believin’.' The liner notes for Time 3 say, At the band’s Oakland warehouse, this song bubbled out of a rehearsal. [Neal] Schon developed the bass riff, the chugging guitar line, and the sweeping chords on the chorus. Steve Smith built the song around a pattern featuring a lot of tom-toms, anchoring the number to a rich drum figure. Perry and Cain drew from their experiences with the Sunset Strip scene. Just a small town girl Livin′ in a lonely world She took the midnight train goin' anywhere Just a city boy Born and raised in south Detroit He took the midnight train goin′ anywhere A singer in a smoky room A smell of wine and cheap perfume For a smile they can share the night It goes on and on, and on, and on Strangers waiting up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night Working hard to get my fill Everybody wants a thrill Payin' anything to roll the dice Just one more time Some will win, some will lose Some were born to sing the blues Oh, the movie never ends It goes on and on, and on, and on Strangers waiting up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night Don't stop believin′ Hold on to the feelin′ Streetlights, people Don't stop believin′ Streetlights, people Don't stop believin′ Hold on to the feelin' Streetlights, people Writer(s): Cain Jonathan, Friga John L Lyrics powered by Steve Perry performs with Journey at a Chicago-area concert in 1981. Paul Natkin/Getty Images hide caption toggle caption Paul Natkin/Getty Images Steve Perry performs with Journey at a Chicago-area concert in 1981. Paul Natkin/Getty Images This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at It's midnight on a Tuesday in Richmond, Va. At Sticky Rice, a sushi joint that hosts this college town's most raucous karaoke night, the crowd is already at fire-code capacity, and would-be crooners are forming a line outside. At around 12:30 a set of famous piano chords begins to play, and the place explodes. Friends stand together on tables; the people stuck in line outside press against the windows. For a fleeting moment, everyone's on the same midnight train going anywhere. Twenty-somethings Matt Malone and Shilpa Gangisetty are tonight's lucky performers of Journey's "Don't Stop Believin'," for which the DJ has received as many as five requests — though you can't exactly hear their singing beneath the overflowing crowd shouting along. When they're done, Gangisetty, who is Indian American, says she loves the song because it's something she can enjoy with her immigrant parents. "This came out right before my parents came to this country," she says. "There aren't too many cultural things that we can relate on." "It's like the 'Itsy Bitsy Spider' of, like, middle school," Malone chimes in. "You have to know it. Everyone hates to love it." Thirty-eight years after it debuted on the album Escape, "Don't Stop Believin'" is the go-to anthem for perseverance that has itself persevered, successfully riding wave after new wave of media. Though born in the era of rock radio and cassette mixtapes, the song found its real glory at the dawn of binge TV and the smartphone, and it has woven its way into weddings, bar mitzvahs, graduations, the 2005 World Series, The Sopranos and Glee. YouTube Its fate was hardly a given. Critic Deborah Frost didn't even mention "Don't Stop Believin'" by name in her October 1981 review of Escape in Rolling Stone, which gave the album two out of five stars. "Maybe," she wrote, "there really are a lot of 'streetlight people' out there. If so, my guess is that they'll soon glow out of it." They didn't: According to Nielsen Music, "Don't Stop Believin'" holds the record as the most downloaded 20th-century song, and it has nearly 700 million streams on Spotify, at last count. What is it about this track that just won't stop? The story of the song itself begins with Journey keyboardist Jonathan Cain. In the late 1970s, he was a struggling rocker who was ready to quit SoCal and move back to Chicago. Cain says everything had been going wrong: He and his girlfriend had split up, and he'd had to pay a costly vet bill to save his dog after it was hit by a car. "I called my father for some money," he says. "I said, 'Dad, I'm out of cash here. ... Should I come home? Is this thing just not, you know, panning out?' And he told me, 'We've always had a vision, son. Don't stop believing.' I had a lyric book next to me, and I wrote it down." Things started looking up for the musician after that. Cain found himself in a band opening up for mega-act Journey. Then, Journey itself poached him. In 1981, when the band was recording Escape, lead singer Steve Perry asked Cain to come up with a final track. Cain still had his dad's advice in the dog-eared lyric book and from it drew inspiration for the pedaled, keep-the-faith piano part that builds and releases over and over until the phrase itself arrives in the chorus, more than three-quarters of the way into the track. The characters introduced in the first verse, a small-town girl and a South Detroit city boy, are familiar by now — enough so that it's rarely addressed that there is no such neighborhood as South Detroit, apart from Perry needing an extra syllable. As for the singer in the smoky room with wine and cheap perfume, that tableau evokes the desperation Cain says he felt at the Sunset Strip's Whisky a Go Go during his rough Los Angeles days. "I really believe this song is about wanting to make it," he says, "Where you think you're stuck in life — that you're able to get out, the same way I got out of Chicago." The fictional William McKinley High School's glee club sang "Don't Stop Believin'" in a 2009 episode of Fox's Glee. FOX Image Collection/Getty Images hide caption toggle caption FOX Image Collection/Getty Images By the late 1990s, Perry had left Journey, and the band's career was in the wilderness. But the requests for "Don't Stop Believin'" kept coming. Charlize Theron roller-skated to the song in her Oscar-winning turn as a serial killer in 2003's Monster. Four years later, The Sopranos ended its pioneering six-season run on HBO with — spoiler alert — a tense sequence involving a diner and parallel parking, soundtracked by "Don't Stop Believin'." Downloads of the track on iTunes soared. In 2009, the earnest high school show choir on Glee covered the song for the first of several times throughout the series' run, sending its download numbers through the roof again. "Don't Stop Believin'" has been heard on Scrubs, South Park and Family Guy. A string ensemble played it in the Adam Sandler comedy The Wedding Singer. It was the rally song for the Chicago White Sox in the team's 2005 World Series run, and it was the climax of the hit Broadway jukebox musical Rock of Ages. On social media, you can find plenty of photos of stop signs playfully defaced with the title exhortation. For all its new success, Journey still needed a new lead singer who had something approximating Perry's trademark high tenor altino. Desperate, guitarist Neal Schon turned to searching for singers on YouTube — where, late one night, he discovered Arnel Pineda, a formerly homeless kid in the Philippines who was covering the band's ballads at smoky venues that reeked of wine and cheap perfume. YouTube In 2007, Journey flew him to the for a tryout and hired him — a fairy-tale story chronicled in the 2009 documentary Don't Stop Believin': Everyman's Journey. Pineda told CBS News in 2012, "Even before I discovered 'Don't Stop Believin,' it has been my motto — you know, to never stop believing in myself. The life that I've gone through, all those hardships, I never stopped believing that someday there is something magical that will happen in my life." As for Frost — the critic who originally panned Escape in Rolling Stone — she tells NPR that four decades later she's still not a fan but that maybe those streetlight people might — might — have a point. "You know, I think maybe it helps them celebrate their high school years — or their hopes," she says. "And if it does, what can I tell you? Good for them." Roben Farzad is the host of Full Disclosure on NPR member station VPM. Walter Ray Watson produced this story for broadcast. Daoud Tyler-Ameen adapted it for the Web. Dołącz do innych i śledź ten utwór Scrobbluj, szukaj i odkryj na nowo muzykę z kontem O tym wykonwacy Journey 2 137 518 słuchaczy Powiązane tagi Journey - amerykański zespół hard rockowo/AOR-owy, z wpływami rocka progresywnego, powstał w 1973 roku w San Francisco. Jego skład zmieniał się bardzo często, a jedynym stałym członkiem formacji był gitarzysta Neal Schon, zawiązany wcześniej z grupą Santana, Carlosa Santany. Debiutancki album, zatytułowany "Journey", ukazał się w 1975 roku. Był to pierwszy z serii trzech krążków, które cieszyły się umiarkowaną popularnością i zawierały mieszankę jazzu i rocka. W 1977 roku muzycy zdecydowali o zmianie wokalisty i już ze Stevem Perrym nagrali płytę "Infinity&qu… dowiedz się więcej Journey - amerykański zespół hard rockowo/AOR-owy, z wpływami rocka progresywnego, powstał w 1973 roku w San Francisco. Jego skład zmieniał się bardzo często, a jedynym stałym czło… dowiedz się więcej Journey - amerykański zespół hard rockowo/AOR-owy, z wpływami rocka progresywnego, powstał w 1973 roku w San Francisco. Jego skład zmieniał się bardzo często, a jedynym stałym członkiem formacji był gitarzysta Neal Schon, zawi… dowiedz się więcej Wyświetl pełny profil wykonawcy Podobni wykonawcy Styx 1 054 715 słuchaczy Wyświetl wszystkich podobnych wykonawców Deutsch ÜbersetzungDeutsch/Englisch A A Den Glauben nicht verlieren Sie war nur ein Kleinstadtmädchen, Das in einer einsamen Welt lebte Sie nahm den Mitternachtszug nach irgendwo Er war nur ein Großstadtjunge, Geboren und aufgewachsen in Süd-Detroit Er nahm den Mitternachtszug nach irgendwoEin Sänger in einem rauchigen Raum Es riecht nach Wein und billigem Parfüm Für ein Lächeln kann's eine Nacht zusammen werden Und so geht es weiter, und weiter, und weiter, und weiter ...[Chorus]: Fremde warten, oben und unten am Boulevard Ihre Schatten suchen in der Nacht Leute unter Straßenlaternen, leben nur dafür, Gefühle zu finden Verstecken sich, irgendwo in der NachtIch arbeite hart, um mein Auskommen zu haben Jeder will einen Nervenkitzel Sie zahlen jeden Preis, Um noch einmal am Glücksrad zu drehen Einige werden gewinnen, andere verlieren Einige haben im Leben einfach nie Glück Dieser Film geht nie zuende, Er geht weiter, und weiter, und weiter, und weiter ...Sie verlieren ihren Glauben nicht, Sie bleiben ihrem Gefühl treu Leute unter StraßenlaternenSie verlieren ihren Glauben nicht, Sie bleiben dran Leute unter StraßenlaternenSie verlieren ihren Glauben nicht, Sie bleiben ihrem Gefühl treu Leute unter Straßenlaternen Von Freigeist am Fr, 14/08/2015 - 02:22 eingetragen Zuletzt von Freigeist am So, 06/09/2015 - 18:08 bearbeitet Englisch EnglischEnglisch Don't Stop Believin'

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